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Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Jan 8, 2008

Saturday Night Live Writers, Performers, and Andy Samberg Groupies Turn Out to Support Writers Guild

Janeane_garofolo_at_comix


Surprise guest
Janeane Garofalo opened for "SNL" vet Darrell Hammond, below, on Monday night at Comix

Daryl_hammond_at_comix

It was a full house Monday evening at Comix where assorted "Saturday Night Live" writers and players both past and present participated in a comedy event to benefit the striking Writers Guild of America, East. In keeping with the trend of wearing your support for the writers on your face, "strike beards" were in full effect, and the overall mood seemed to indicate that no one expects to return to work anytime soon.

Hosted by Jason Sudeikis (who joined the cast of "SNL" in 2005 after spending several years in the writers' room, and who also played Floyd on the first season of "30 Rock"), the original lineup boasted appearances by Andy Samberg and Fred Armisen, though in the end, neither of them were able to do so, for reasons unknown. But everything was still kosher thanks to those who did perform, including "SNL" writers Bryan Tucker ("Chappelle's Show"), 25-year-old Harvard success story (it's about time!) Colin Jost, and former staff writer Leo Allen (one half of the comedy duo Slovin & Allen). Several video clips were shown, most notably an hilarious commercial parody starring Kristin Wiig and a digital short starring Armisen and Samberg, directed by the latter's Lonely Island cohort/ "SNL" writer Akiva Schaffer, who was also in the audience at Comix but dipped out halfway through the show.

Although at least one unfortunate heckler made it known that she had only come to see unlikely dreamboat du jour Andy Samberg--whose rise to fame began two years ago with a video about cupcakes and was sustained by a video about his junk--his failure to show up was well-compensated with a special guest set by Janeane Garofalo. As always, her best material was political, and though she generally laid-off the Democratic candidates, she was more than happy to riff on their Republicans counterparts, making light of the fact that three of them "actually believe the jury's still out on evolution." Which is funny--and at the same time not so funny--'cause it's true.

But the real highlight of the evening?

Headliner Darrell Hammond, who announced right off the bat that he was jacked up on Vicodin, although it was unclear whether or not he was kidding, and his behavior throughout the rest of his set made it no clearer. After commenting that he'd just come from Penn Station ("For those of you from out of town, that's the place that inspired all of Stephen King's novels"), the 13-year veteran of "SNL" went on to perform virtually every impression for which he is most famous: Donald Trump, Tony Soprano, Bill Clinton, Sean Connery, Dr. Phil and a dead-on
George W. Bush. (Though, for the record, Sudeikis plays the president in current "SNL" sketches. Or at least he did, when there were current sketches.)

Hammond's musings on the Clintons--particularly his point that if Hilary wins the election, Bill's job will literally be to socialize with and entertain the first ladies of other nations ("Hey there Mrs. Putin, this here is the Lincoln Bedroom. And this is the Lincoln bed")--were a hit, as were his observations about President Bush ("He starts out with the intention of making a point, and then mid-sentence, he decides he simply doesn't feel like it: 'The American people are tirelessly [pause]... They're tireless'").

If you don't consider the cancellation of the Golden Globes to be any great casualty, then you may think that because there is new programming on TV this week, the strike doesn't impact you. But the networks are down to the sitcom reserve supply, and when the scripts run out several weeks down the line, there's going to be no new content on prime-time television until the strike is resolved (unless you count "Celebrity Apprentice," which I refuse to do). And while the networks are making a ton of money off the exploitation of their writers and the strike itself, the people who really make the magic happen are starving to death. Fine,
that last part may not be true, but it totally might be if this doesn't end soon.

So here's my plea: Stop watching episodes of "30 Rock" online, grow a beard, join the picketers, or do whatever else you can to help ensure that the networks start feeling the pain of this strike the way the writers are. If not for them, do it for me-- because with the exception of booze, television is the closest thing I have to a boyfriend.

Dec 18, 2007

Human Giant Saves MTV: Suck On This, Spencer Pratt

Human_giant
Above: Rob Huebel, Paul Scheer and Aziz Ansari are Human Giant

Ordinarily, the chances of me going out on a Monday night are nil, especially in this brick-ass cold. But with my television withdrawal giving me an increasingly nasty case of the shakes, I took the opportunity to check out last night's sneak preview of the new season of "Human Giant"--the best thing to happen to MTV's comedy programming (or rather, MTV period) since "The State"-- hosted by the Human Giants themselves.

As any proper night should, this one began with drinks. Various members of the press (editors and writers from Maxim, the NY Post, the Village Voice, ASCAP, Giant, and other publications) assembled beforehand at West Chelsea haunt Half King, along with the show's stars, Rob Huebel, Paul Scheer and Aziz Ansari, before making the troupe to the UCB Theater.

It may have been after 11pm on a weeknight, but you wouldn't have known it from the size of the crowd, which was spilling out into the aisles. Granted, the show was free, but it was clear that these people would probably have paid to see it. And for good reason--the raw and uncut clips screened last night were so outrageous, explicit and unbelievably hilarious, it's difficult to imagine that the Standards Department at MTV would even entertain the possibility of airing them, even after heavy editing. (Case in point: A sketch called "Car Accident," which tells the tale of Bruce Penis (Huebel), a deceased gay porn star whose ghost haunts his supposed killer (Ansari) by violating him physically in order to open his, uh, eyes to the truth.)

Afterwards, those of us who aren't a bunch of lightweights and whiners--winos, perhaps, but not whiners--returned to Half King for more drinks with Rob, Paul and Aziz and friends that included several Saturday Night Live writers and performer Bill Hader.

I had the chance to spend some time chatting with Rob (who has frequently appeared on "Best Week Ever" and played the memorable Dr. Mark character in several episodes of "Curb Your Enthusiasm"), and he told me that filming for season two is going well, but admits that it can be quite a lot of work writing and developing consistently funny material that can carry through several hours of sketches (a full season of "Human Giant").

If the material that aired on the first season of the show--which got the green light for season two after MTV execs let the guys take over control of the airwaves for 24-straight hours of programming, broadcast live from the network's Times Square studios--and what we saw last night is any indication, then their hard work is well worth it. Nothing is off-limits (including, but not limited to, 9/11, which they famously parodied last season in a number of episodic sketches entitled "Lil' 9/11").

Though the beer wasn't free (it never is, sadly), getting to see the show was certainly worth every bit of pain I experienced this morning, when my alarm clock began taunting me to rise at the ungodly hour of 9:30am. But more importantly, it's reassuring to know that in March '08, "Human Giant" will be back on the air, giving people like me--who would sooner slit our wrists than watch 30 minutes (let alone a 12-hour programming block) of shows about Heidi Montag, her deadbeat boyfriend Spencer Pratt, and the trials and tribulations of their beef with Lauren Conrad--a reason to watch MTV.

Aug 13, 2007

TV: Kaya

After a slew of reality show successes like The Hills, My Super Sweet 16 and Rob & Big, this fall MTV returns to the sitcom with Kaya. The half-hour drama revolves around the world of Kaya (Danielle Savre), a young musician whose life is forever changed when she skyrockets to celebrity status virtually overnight. Kaya is managed by her often self-serving father Don (who is totally not based on Joe Simpson), a former supermarket meat manager who must eventually choose between his own newfound success and his daughter. Presented through a series of flashbacks, present day scenes and flash-forwards, the viewer follows Kaya as she attempts to stay afloat amidst the rock & roll lifestyle and all its temptations, from drugs and sex to money and power. It remains to be seen whether audiences will go for a scripted drama on a network that has enjoyed a resurgence thanks to shows that document the real life excesses of bratty American teens who will literally die if Shakira doesn’t perform at their birthday parties, but MTV has historically proven adept at catering to the interests of its viewers, and Kaya is likely to follow suit.

Jul 10, 2007

Interview: John Leguizamo & Donnie Wahlberg, stars of "The Kill Point"

BY JUSTINE GOODMAN
PHOTOS COURTESY OF SPIKE TV


Who needs Jack Bauer when you’ve got… Pittsburgh?

“I love Pittsburgh, I think it’s underrated,” says actor Donnie Wahlberg, who plays hostage negotiator Horst Cali on Spike TV’s new summer miniseries The Kill Point, shot on location in the ‘Burgh.

Joining Wahlberg on set was John Leguizamo in the role of “Mr. Wolf,” the ringleader of a team of disgruntled Iraq War veterans who decide to rob a bank.

Wahlberg admits that although he is ostensibly playing the role of hero, “You could just as easily not root for [my character]. I think in the end people will,” he says, “but [Wolf and Cali] are two flawed characters, they’re not perfect. It seems like sometimes the choices they make aren’t always great, but at their core they’re both good guys and they make a connection. They’re both fearlessly determined to get their way, and while they respect each other, it’s like a very good chess match. They find that they have a lot in common but they both want to win, they both want to accomplish their goals.”

Leguizamo likens the relationship between Wolf and Cali to that of the lead characters in Les Misérables. “The cops and the underbelly are flipsides of the same coin,” he says. “We relate to and understand each other. We respect each other, but I don’t know if we love each other.” And, as in Les Mis, Leguizamo is confident that the audience will side with the so-called criminal.

“I’m a good guy gone bad that you have to love no matter how much you hate,” Leguizamo says. “If I do my job right then you will totally identify and sympathize and hopefully root for my boys and me. We have Post Traumatic Stress Disorder and have it bad. It’s tough to come back from the war or any war and adjust to normal life. Nobody prepares you for it.”

Indeed, aside from to its natural appeal as a traditional tale of cops and robbers, the very premise of The Kill Point – namely, that a high stakes bank heist is being carried out by former U.S. soldiers who served in Iraq – ventures into interesting political territory, territory that most major networks seemingly consider too controversial for primetime television. And while Leguizamo and Wahlberg insist that the show is not intended to make any overt political statements, both actors acknowledge that of course it does, if only implicitly.

“There are probably a lot of veterans going through what these guys are going through. They haven’t all made the choice to rob a bank, but many veterans are very unhappy with the way things have turned out, given the sacrifice that they’ve made. We’ve heard about some of them – we’ve heard about a certain military hospital being inadequate for veterans – so inevitably it will make a statement but I don’t think it’s the goal of the show,” says Wahlberg, not-so-subtly referring to the recent scandal surrounding the Walter Reed Army Medical Center and the treatment (or lack thereof) being provided to the vets. “The war is the war,” Wahlberg says. “I don’t think any statements need to be made – they’re clear enough. Whoever doesn’t know what’s going on with this war is living under a rock.”

Similarly, when asked what drew him to this particular show and this particular role, Leguizamo says, “I found the veterans’ plight very important. Hate the war, but not the soldiers – they are the bravest people I know. Especially the vets that came back and are against the war. They risk rejection now from all sides. Can you imagine being brave enough to lose your job, your friends, your pension and being labeled? That’s courage. My character Mr. Wolf is just that. He picks a tough venue for his message, but that’s what makes this miniseries fascinating and difficult and different.”

At its heart, The Kill Point is what all television shows purport to be: an entertaining way to spend an hour each week. That it also happens to be a high-quality, well-acted program is simply an added bonus. But while The Kill Point may lend itself more readily to intelligent analysis than, say, such inexplicably popular shows as Deal Or No Deal, don’t over think it, and rest assured that it doesn’t take itself too seriously.

“If it’s great, then maybe there will be a Broadway show musical skating version,” jokes Leguizamo.

We eagerly await news of The Kill Point On Ice, but in the meantime, we’ll happily resign ourselves to watching it on television.


Jul 9, 2007

TV: It's Always Sunny in Philadephia

The little TV show that could, It’s Always Sunny in Philadelphia returns to FX this summer for a third season. The show – which was picked up in 2005 after a pilot that reportedly cost only $85 to make was submitted to FX under the title It’s Always Sunny on TV – circulates around four friends (two of whom, Dennis and Dee, also happen to be twins) who run an Irish pub, Paddy’s, in the City of Brotherly Love. Midget-turned-actor Danny DeVito joined the cast last year in the role of Frank, the twins’ father – or so we were led to believe before it was revealed at the end of last season than he is actually their friend Charlie’s biological father. A bunch of lazy, depraved, egomaniacal liars, these kids are fast becoming our personal heroes, and if you don’t get FX, don’t worry; episodes of It’s Always Sunny in Philadelphia are available for download on iTunes.



TV: American Body Shop

The latest series to join the programming schedule at Comedy Central, American Body Shop is set against the backdrop of, you guessed it, an American body shop. Modeled after the improvisational format of Reno 911!, the half-hour comedy gives us an inside view into a world hitherto shrouded by mystery and known only to your local mechanic. The show focuses on the twice-divorced shop owner, Sam, whose spends most of his time trying to keep his business running smoothly as his unruly employees make every effort to undermine him. First there’s Johnny from Brooklyn (a wannabe gangster who alludes to the possibility that he may be in the Witness Protection Program; suffice it to say that he’s not). Then there’s Tim, the “undersexed prankster” who has no concept of comedic timing. Add in a few other misfits and you’ve got a bunch of bumbling idiots with ready access to heavy machinery. Let the laughs begin.

WWW.COMEDYCENTRAL.COM

PHOTO COURTESY OF COMEDY CENTRAL

Feb 12, 2007

TV: The Sarah Silverman Program

PHOTO: MARC LECUREUIL, COURTESY OF COMEDY CENTRAL
From a woman rivaled only by Borat when it comes to making jokes about all things taboo, comes Comedy Central’s The Sarah Silverman Program. Oddly enough, Sarah Silverman plays a character named Sarah Silverman, and the show focuses around her daily life and the various kooky events and situations in which she finds herself. It may sound like a typical sitcom, but if you’re familiar with the comedic stylings of Ms. Silverman then you know this is no Friends rehash. In the premiere episode, Sarah has a run-in with the police after she ingests too much cough syrup and then proceeds to park her car in the middle of a playground. As in her full-length film, Jesus is Magic, Sarah takes every opportunity to incorporate songs with off-color lyrics into the show, and also shares the screen with some of the funniest people in the world of comedy today, most notably Brian Posehn, who plays one of Sarah’s gay neighbors. Whether she’s reading aloud from The Diary of Anne Frank for the talent portion of a children’s beauty contest, or taking in a homeless man, we love The Sarah Silverman Program, and if you have any sense of humor whatsoever, you will, too.
WWW.COMEDYCENTRAL.COM




ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT
© 2007

TV: Halfway Home

PHOTO: MARC LECUREUIL, COURTESY OF COMEDY CENTRAL
The formula behind Comedy Central’s new series Halfway Home is simple: put a bunch of ex-cons in a residential mental rehabilitation facility, sit back, and wait for hilarity to ensue. And ensue it does, as we meet five “semi-hardened parolees,” sentenced to live together at an L.A. halfway home called Crenshaw House, where the house supervisor (played by Groundling’s member Kevin Ruf) attempts to reform patients that range from a former male prostitute, to a would-be terrorist (who, in reality, is just another privileged kid from California), to a pyromaniac. Halfway Home is like a season of The Real World gone horribly, horribly awry - in a good way. Tune in Wednesdays at 10:30 p.m. beginning March 14th.
WWW.COMEDYCENTRAL.COM


ORIGINALLY PUBLISHED IN YRB MAGAZINE. COPYRIGHT
© 2007

TV: Crank Yankers

PHOTO COURTESY OF MTV2
The funniest puppets on the planet are back with a new season on a new network. This spring, MTV2 welcomes the prank-calling terrorists, and with the old gang back together again the possibilities are endless. Tune in to see what happens when rednecks, immigrants and just plain idiots are targeted by some of the funniest people on the planet in the new millennium’s answer to The Jerky Boys. In addition to old favorites like Special Ed, expect cameos from Dave Chappelle, Lil Jon, Dane Cook and others. New episodes begin in February and run through the month of March, only on MTV2.
WWW.MTV2.COM



ORIGINALLY PUBLISHED IN YRB MAGAZINE. COPYRIGHT © 2007

Jan 1, 2007

Lukas Rossi & Rock Star Supernova

BY JUSTINE GOODMAN
PHOTOGRAPHY BY ODESSY BARBU

CHAMPAGNE SUPERNOVA
After 15 years of struggling to make it in the music biz, Lukas Rossi is finally a household name – at least in Canada. But for the rest of us, Lukas (a Toronto native) was the winner of Rock Star: Supernova, a CBS reality show in which hopeful rockers vied to become the lead singer of a new “supergroup.” Also called Supernova, the band consists of guitarist Gilby Clarke (formerly of Guns N’ Roses), Metallica’s Jason Newsted on bass, and drummer Tommy Lee, best known for his work with both Mötley Crüe and Pamela Anderson.

For the duration of the 11-week taping, Rossi and 15 other contestants lived together in an L.A. mansion (or the “pretty prison,” as Lukas fondly refers to it), where they had various opportunities to prove themselves worthy of fronting Supernova. In keeping with the reality show prototype, the series also featured “celebrity” hosts Dave Navarro and Brooke Burke, and an interactive component whereby viewers could vote for their favorite rocker. After a grueling elimination and selection process, the fans and band members agreed that Lukas Rossi was their man.

So, how does it feel to go from doing commercial voiceovers in Toronto to pay the rent, to living the dream in L.A., preparing to go on tour with your new band? “I’m just taking it a day at a time; it’s really overwhelming and fast-paced,” says Lukas, the morning after completing work on Supernova’s self-titled debut last fall. “I did a lot of writing on the record, and obviously a lot of singing. I’m still taking a deep breath everyday. It’s exciting as hell though.”

Ladies and gentlemen, you heard it here first: Being the lead singer of a supergroup comprised of rock industry veterans is awesome, and if you also get to crash on Tommy Lee’s couch when you’re not living on a crowded tour bus, even better. Just one quick question: If you’re Jason Newsted, Gilby Clarke and Tommy Lee, don’t you, like, already know someone, anyone, who could front your band?

“In this day and age, we’re kinda running out of options,” Gilby says. “Radio isn’t what it used to be, MTV isn’t what it used to be, and for all of us, to start a new band and pick the cream of the crop – you know, Tommy Lee on drums, Jason Newsted on bass – and scour the world for the best new singer we could find, it was an opportunity that we had to take.”

If you look beyond the superficial, made-for-TV components of Rock Star: Supernova, and refrain from dismissing all the contestants as a bunch of angsty, black-clad, inked-up, would-be rock stars, what you’re left with is a seriously painstaking audition process. The rockers were subject to a level of public scrutiny that few prospective band members ever are. Given that Lukas prevailed, it would seem that he truly is the most qualified person to front the band (or at least the most qualified person who also screen-tested well). And just because the show might have been gimmicky doesn’t mean the band is.

But no one denies that the publicity generated by the show certainly won’t harm the band’s chances to find wider success. A large segment of Generation Reality Show have Ticketmaster on speed dial, and all they want for Christmas is tickets to a live Supernova performance near them. And while each member of the band brings his own preexisting fan base, it’s questionable whether tickets for the tour (which kicked off on New Year’s Eve in Las Vegas) would be selling out months in advance, as they are, were it not for the exposure afforded by Rock Star: Supernova.

Lukas emphasizes that the 27-city tour is not just a matter of fulfilling contractual obligations, and neither he nor his bandmates view Supernova as a temporary gig. “I don’t want anybody to get confused,” he says. “I don’t think we went through all this just for like a four or five month tour.”

On the contrary, just weeks after dropping their debut album, Supernova is already looking toward working on the follow-up – not because they’re dissatisfied with the first record, but because they’re amped about the possibilities they can explore as a real band, making an entire record in the more traditional way: together, from beginning to end.

“For me, Guns N’ Roses was the ultimate hard rock band. You never really knew what was gonna happen from day to day; it was the perfect hard rock band,” says Gilby. “We don’t really know what Supernova is until we get the record out and start playing as a band together. Ordinarily you would have done that before you made the record – this is a very backwards way of doing things. But the thing was, most importantly, we were all up for the challenge. We’ve all done it the conventional way; we’ve had other bands that have succeeded and failed. So this is just a new, different way to do this, and we were just so excited to try something new.”

Lukas agrees. “The circumstances were obviously unorthodox, considering the way that other records in the past have been done,” he says. “But in my opinion, the product is gonna blow people away.”

For some people, the feeling that Rock Star: Supernova is just a few B-list guest spots short of a VH1 Celebreality special is inescapable, undermining the possibility that the music might actually be great. But does it really matter that the band found its frontman by combining one part Making the Band with equal parts American Idol and The Surreal Life? The show was just a means to a greater end.

“One feeling we had about Lukas through the whole program was that he was a lot like us,” says Gilby. “He just wants to be in a great band, and make a great record and go on tour and be a musician. And that’s the one thing we were really trying to keep for ourselves through this: it’s just a television show, it’s just a process to find this person.”

And then in October, the media was informed via press release that due to a serious shoulder injury, bassist Jason Newsted would have to undergo emergency surgery followed by a long period of recovery, effectively terminating his place in Supernova, at least for now. It’s a setback, but the show must go on.

“When we started this project, I was handed a list of names – guys who could potentially anchor our rhythm section,” says Tommy Lee. “I responded by crumpling up the paper and asking, ‘Where’s Newsted?’ Jason was always the right guy for this band and we’ll miss having him with us as we kick off our album and tour, but we know he’ll be back as soon as he can pick up and play.” Until then, former Black Crowes bassist Johnny Colt will serve as Newsted’s temporary replacement.

Whether Supernova will succeed in bringing rock ‘n’ roll back to its golden age remains to be seen. But with his new bandmates backing him, thousands of fans cheering for him, and one hell of an audition tape to prove he’s the man for the job, Lukas Rossi and Supernova are poised to do big things.

“We’re all human, we’re all musicians, we’re different musicians, and that’s what makes it cool,” says Lukas. “I’m always gonna be the same person that came here. I just can’t wait to take on the world with the band and see all the fans out there that have put me here.”

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007

Dec 10, 2006

Dax Shepard

BY JUSTINE GOODMAN
PHOTOGRAPHY BY CHRIS FORTUNA

THE GOOD SHEPARD
“I feel like the Jude Law of comedy this fall. Prepare to get Daxed-out,” says actor Dax Shepard, who stars in three movies this year – Employee of the Month, Idiocracy and Let’s Go To Prison – all released between Labor Day and Thanksgiving.

Dax is perhaps best known for his role as a field agent on the first season of MTV’s celebrity prank series, Punk’d, but how does a dude with a degree in Anthropology from UCLA wind up getting paid to make Justin Timberlake cry on national television?

“I was going on probably 15 commercial auditions a year for six years and booking none of them,” says Dax of the days when he was a struggling actor trying to make it in Hollywood. (To be fair, he did play the coveted role of “Vomiter at Party” in a movie called Hairshirt in 1998.) While auditioning and attending UCLA, Dax also performed improv with the Groundlings Theater in L.A. (famous for having launched the careers of Phil Hartman, Lisa Kudrow, Will Ferrell and others), and pursued another hobby: racing cars.

“I was really into cars and I met the right people and I was gonna go and try to get a job racing,” says Dax. “At the exact same time, I got into the last level of the Groundlings […] and I thought, ‘Well, you can maybe parlay an acting career into a driving career, but not the other way around.’"

Then, in 2001, Dax auditioned for a role on Punk’d, which his experience as a Groundling had prepared him for. Seven callbacks later, he landed the part. “It was like, ‘Oh my god, I got a pilot, and the pilot’s going great!’ And then the pilot got sued and there was a full year of sorting that out before I finally went back to work.” When it aired in mid-2003, Punk’d was a hit and Dax was on the road to celebrity.

In 2004, he starred in Without a Paddle, alongside Seth Green, Matthew Lillard and Burt Reynolds – whom he describes as one of his “childhood gods.” (And who among us doesn’t have the fondest childhood memories of sitting fireside, surrounded by loved ones and watching Deliverance?)

“Oh, [Burt Reynolds] is so great,” says Dax, adding wistfully, “The only thing I regret is not having gotten to see his balls on set, because I wanna know if they’re as big as they look in those tight pants.”

Although Without a Paddle is no Smokey and the Bandit, working with Burt was still pretty sweet. But, Dax says his ultimate Hollywood experience thus far has been working on a movie that was never actually made. Dax was to star in Car Wars with Dustin Hoffman – whom he speculates “may be the most charming man on the planet” – and the two hung out quite a bit, something that left an indelible imprint on Dax.

“At one point we were with a third person, [who] asked Dustin something about [a] scene in Rain Man […] so Dustin starts explaining the entire scene and how it went down, and the next thing you know, he’s on the couch next to me, and I’m playing Tom Cruise, and he’s […] doing the lines. I had to stop and say, ‘In my wildest dreams, I never thought I’d be reenacting a scene out of Rain Man with Dustin Hoffman.’ ”

In fact, for a dude whose career only took off in 2003, Dax has been keeping a lot of excellent company. Idiocracy – a shamefully under-publicized Mike Judge movie that was released in September (though one wonders where) – features Dax, Luke Wilson and SNL’s Maya Rudolph. A role in the children’s action adventure film Zathura (2005) paved the way for a close friendship between Dax and Jon Favreau, who directed. Add to that Dax’s fellow Employee of the Month stars Dane Cook and Jessica Simpson, and you’ve got one really dope rolodex.

And speaking of the elder Simpson, is she as gifted an actress as she seems to be? “What I thought was good about her acting was that she wasn’t trying or working hard at it, which in my opinion is always the worst kind of acting,” says Dax. “[Jessica] just listened and said her lines, and that’s really all any of us can do. But she did great in the movie, she was super-cute […]. And her boobs are really big.” OK, so her range as an actress isn’t tremendous; but at least something about her is.

Dax also made his own physical contribution to this movie, albeit less sexy. “I don’t know if you can catch the finer details of my character in [Employee of the Month], but I want you to notice that I have waxed my forearms for the role, and I have bleached my hair for the role.”

You have to respect that level of commitment – and hey, short of starring in a Holocaust picture, changing your physical appearance for a movie role is the only surefire way to lock down an Academy Award, right? “There is Oscar buzz, I’m not gonna lie,” says Dax, in a tone that actually seems to say, ‘There most definitely is not, nor will there ever be, anything even remotely resembling Oscar buzz about this movie. Never. Not ever.’

For comedy nerds who are on the fence about Dax, the fact that he’s down with Arrested Development’s Will Arnett may earn him some street cred. This November, Will and Dax are starring in a little picture called Let’s Go To Prison, which promises to deliver.

“Let’s Go to Prison I really like, because that was a four million dollar movie that we made in 25 days, which ended up getting picked up by Universal and has an actual marketing budget now, and that’s kind of a rare thing to happen. If you like Will Arnett you’re gonna get your fill.”

And if you don’t like Will Arnett, chances are you’ve either smoked way too much weed or not enough.

Although Dax and Will met on the set of Let’s Go to Prison, the two already have plans for a future project. “Get ‘Em Wet is a script that I wrote for [Will] and I to star in. While we were on the set of Let’s Go to Prison we started thinking of different ideas that we could put together because we had such a good time, and Get ‘Em Wet was the product. Will and I play American hottub salesmen who go to Japan and try to blow the lid off a burgeoning market that’s not really there.”

Don’t get it twisted: Dax Shepard is no post-SNL Jimmy Fallon; he knows that just because a bad movie exists, doesn’t mean he should star in it.

“[Even before Punk’d] I was passing [on projects] sometimes when I shouldn’t have been, financially-speaking, because I’ve watched other actors who’ve been in the same spot I’ve been in, and I’ve watched them kinda disappear – it always boils down to doing something they know is shitty. It is very tempting – I have a house payment, I need money as much as I did when I was broke – so, it’s very hard to turn down […]. My theory is that as long as I don’t ever do a really shitty one, I still have a shot of working again. But if I do a couple of real shitty ones in a row, then I could permanently go away.”

Smart guy. “Well I was Magna Cum Laude at UCLA – I’m no slouch,” he reminds me.

With so many projects on deck (including a mockumentary about “me switching genres from comedy to martial arts movies”), Dax’s future looks bright. “If all my dreams come true I will become Paul Newman and start racing cars when I have money to have my own race team, and then do that in my retirement. I mean that would obviously be the greatest thing ever.”

And so far, it looks like he’s on the right track.

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007

Jun 15, 2006

Interview: Nick Cannon

BY JUSTINE GOODMAN
PHOTOGRAPHY BY ROBERT CHAMORRO

LOADED CANNON
He arrives at Universal Motown’s artists lounge rocking dark denim, a gray hoodie and a N.Y. Yankee’s hat and jacket – never mind that he’s from the Left Coast. Ever the dignified baller, he doesn’t seem to be a man of excess. Today, at least, he wears only two pieces of bling – an iced out watch and a relatively modest gold chain – and it’s all he needs. He is, after all, Nick Cannon, and at just 25-years-old, he has already conquered the worlds of stand-up comedy, television, film, music and even fashion, after he “kinda’ just purchased” the PNB clothing line.

It’s enough to make even the most ambitious among us feel like slackers. It seems that anything you can do, Nick Cannon can do better, and he probably already has.

Born in San Diego, Nick moved to North Carolina at the age of 11, where he began using his father’s public access program as a venue to perform his own skits and comedy routines. He soon returned to the West Coast, and before long managed to work his way onto the stages of such famous Los Angeles clubs as The Comedy Store and The Laugh Factory. Still in his teens, Cannon was cast in the popular Nickelodeon series All That, before catching his first big-screen break in 2002, when he landed the lead in Drumline, exposing him to a much larger (and older) audience. “Kids knew who I was before Drumline – I was like ‘Mr. Nickelodeon’ before then – which I didn’t have a problem with…hey, their money spends just like everybody else’s.”

Even if you missed his stint on All That, it would be harder to miss Nick Cannon Presents Wild ‘N Out (it seems to be on television as often as Law & Order re-runs), the MTV sketch comedy series he created, directs and hosts. “I’ll give you two secrets about Wild ‘N Out. One is that we rehearse the actual games. We never rehearse any of the subject matters, or what the audience throws out there – you can’t rehearse that stuff. But we know the games back and forth, so we know the logistics of the games,” he says. “The other thing is, when they give us all the topics and stuff and you see us huddle – on the show you see us huddle for like 10 seconds. But realistically, in real-time, it’s more like 45 seconds. So we get a little bit of time to kinda’ come up with stuff.”

And then there’s his music career. Nick’s Can I Ball/Universal Motown imprint will release Stages (the follow-up album to his 2003 self-titled debut) on June 15th, by which time the single, “Dime Piece,” will have been getting heavy radio burn for months. In addition to Kanye West, who produced the track “My Wife,” guest appearances on Stages include Anthony Hamilton, Talib Kweli and E-40 -- what he describes as “an eclectic group of folks.” Cannon has also been busy searching for the perfect female co-star for his next video, hitting up virtually every major city in the U.S.

It’s difficult to classify Nick. Is he an actor with a hit record, or a singer with a hit show? When asked whether there is one talent that he identifies himself with more closely, Cannon cleverly responds that choosing one “is like choosing between your kids. You don’t really have a favorite, you love them all the same – and if you do love one more, you don’t tell the other ones!”

While he has tended toward lighter, coming-of age-type flicks in the past, Cannon’s latest silver screen roles will test his abilities as a dramatic actor. This summer, he’ll be appearing in a horror flick called Monster House, and, perhaps more surprisingly, in Bobby, a drama that tells the story of the 1968 assassination of Senator Robert F. Kennedy. Written and directed by Emilio Estevez, Bobby also stars Hollywood veterans Anthony Hopkins, Demi Moore and William H. Macy.

“I need to do a movie so I can go to Sundance… something small, something quick, just to get a ticket,” says Cannon, smiling. “Before I was in Drumline, Love Don’t Cost a Thing, it was kinda’ like one is good money, and two is like, just to get my face out there. But I feel like I’ve established a brand and a name thus far that I really now wanna’ take a step back and focus on the craft element of it, and not always be worrying about the biggest movie [or] box office and stuff, because I have stuff like my music career, the television show -- the things that kinda’ keep me out there, so when it comes to film...it’s just a little more challenging and exciting for me to keep it on the independent route,” says Cannon, adding, “Like I’ll do a movie with a $500,000 budget
if I believe enough in the script.”

If you watch HBO’s Entourage like the rest of the cool kids, then you know what he means. “Entourage is my life! When I tell you that’s my favorite show in the world, it’s because I could write that whole show in my sleep, because it’s just like they take elements of my life. Everyday, you know, I go to my agent, and it’s like, ‘Look, I don’t wanna’ do Aquaman, I wanna’ do Queens Boulevard!’” Nick says, referring to the Entourage storyline.

If Queens Boulevard is fictional movie star Vincent Chase’s opus, then Weapons is Nick Cannon’s. He says he was approached with various other scripts when this “phenomenal” one came along, and although some people were ambivalent (“A lot of people at my agency were like, ‘Why would you wanna’ do that? What about your youth audience?’”), he was determined to do the film. Weapons is scheduled to premiere at this year’s Toronto Film Festival. It may not be Sundance, but it counts.

With mentors like Will Smith and Jamie Foxx looking out for him (“Jamie Foxx, hands down, is the most talented person I’ve ever met,” he says), it’s not exactly shocking that Cannon was able to catch a break in Hollywood. In fact, he has often been compared to the Fresh Prince himself. “I joke around about that, because I love the fact that people compare me to the highest-paid movie star ever. If they were comparing me to Gary Coleman, then I would have some problems with that…[Will Smith] has been like a brother to me, always giving me advice and helping me in my career. He put me in my first movie, Men In Black II – if you blink, you miss me, but it was a wonderful experience at the time.”

Though the guy who titled his first hit single “Gigolo” is no longer the Nickelodeon poster child he once was, to a great extent Cannon has managed to retain his crispy clean public image. “I’m a good guy with bad tendencies. I think everybody has that in them,” he admits. “Ultimately, I feel like I am really a nice catch that you could probably take home to your mom, but I still have all those same thoughts as all the bad guys, I’m just maybe not acting on them as much as they do.”

With taping for the third season of Wild ‘N Out underway, and with three movies and a solo album about to drop, what other choice did Nick have but to buy the PNB clothing label? “I’m having a lot of fun with just designing denim. It’s the coolest thing you could ever do if you meet a girl and be like, ‘I could custom-make your jeans.’ They love that; ‘Oh, you’ll make me some jeans?’” he says, assuming a girlish voice.

At this rate, 10 years from now Nick Cannon will be running for President – and if the Constitution didn’t require that candidates be at least 35-years old, he’d probably be on the ticket in 2008. In the meantime, he hopes that in the future he’ll be able to get involved with “philanthropy” and “humanitarian work.” He’d also like to start a family eventually (though he remains single after a rather public break-up with former girlfriend, singer/actress Christina Milian).

So what’s the one thing the man who truly has everything simply couldn’t live without? “Magnum condoms,” he says, laughing (much to the dismay of his publicist). “Hey, that’s safe sex – I can’t live without ‘em! You don’t have ‘em, you won’t be livin’ too long!”

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007

May 1, 2006

Interview: Jamie Kennedy

BY JUSTINE GOODMAN
JAMIE KENNEDY'S RAP EXPERIMENT
Best known for his work in The Jamie Kennedy Experiment, the Scream movies and Malibu’s Most Wanted, actor Jamie Kennedy is now trying to add Professional Rapper to his resume. In his new reality show, Blowin’ Up (which premieres May 16th on MTV), Kennedy and friend Stu Stone (a.k.a., “Stu the Jew”) will try to convince everyone – from veteran members of the hip-hop community to Jamie’s agents and even his parents – that they have what it takes to be rappers. I sat down with Jamie to discuss Blowin’ Up and his quest to get a record deal and release a “quadruple triple platinum album.”


JG: What made you decide to pursue a career in the rap game?
JK: I’ve always wanted to do rap. After I finished my show [The Jamie Kennedy Experiment]…things were happening in my life that were, you know, kinda’ funny… and people were like, ‘you [and Stu] should just film what you do.’ And I was like, ‘that’s interesting,’ and it just became a thing.

JG: What are some of your influences in music?
JK: I love Wu-Tang, obviously; earlier hip-hop like EPMD, Run DMC, LL Cool J – that’s what I grew up on.

JG: Are your own songs mostly freestyles or written raps?
JK: Some are freestyle, off the cuff, and other ones we have and we just do out loud again. In terms of who does what, it’s pretty much like Stu…usually does the music and writes half the lyrics, and I write the other half of the lyrics. I was never into sampling, ‘cause I always thought you should try to do your own thing…and to be quite honest, you can’t really sample and have a show on MTV, because you have to pay all these royalties, so it actually forces you to just do your own stuff. But it’s amazing what you can do with just a board – there’s a billion sounds. You just make your own thing, loop it, whatever.

JG: A lot of people probably associate you with your roles in The Jamie Kennedy Experiment and Malibu’s Most Wanted. How does that affect you in terms of making the transition to rap?
JK: You’re only known for your last thing, and…I have so much baggage. I was the prankster, and I was in Malibu’s Most Wanted, and I was like a rapper – a guy who wanted to be a rapper but lived in Malibu and had no credibility and wasn’t that good. Now, I’m Jamie Kennedy who’s done that stuff, but who’s really trying to be a rapper. So people are like, ‘What the fuck?’…Like, I know I can pretty much get a hold of anybody because of my situation – ‘cause I’m an actor, and I’m in Hollywood and I’ve done stuff. But I can’t get a record deal because record companies don’t take me seriously; they don’t know what to do with me. So it’s kinda’ cool to see the world that we’re in, but you also kinda’ see the struggle that we can’t get past – the hurdles.

JG: Blowin’ Up has a lot of guest appearances – and not just rappers, right?
JK: It’s crazy how many guests we’ve had…we mixed shit up. I mean, we go and try to talk to the rap world, which is incredible, real guys, and then we end up also having part of my world, which is actors, which you wouldn’t find in the regular rap world, so it’s kind of an interesting mix.

JG: It’s most definitely a broad range – you go from a meeting with the RZA one minute, to chilling in your Hummer with Bob Saget the next.
JK: I couldn’t get anybody. Nobody wanted to fuck with us, so I called who I knew. I wanna’ bring in all of hip-hop and I also wanna’ bring in all of Hollywood too… hip-hop – you know, rap music, the culture – it’s got all types in it. And if you’re in it, I might try to get to you, no matter if you’re Brian Austin Green or the RZA, because everybody’s viable. They both had albums; it doesn’t matter who was considered more credible… . And [Brian Austin Green] can really flow…but [people] just look at him and see his character [from Beverly Hills, 90210] hanging out at the Peach Pit.

JG: So how much of Blowin’ Up is straight-up reality TV and how much of what we see is vaguely scripted or rehearsed?
JK: Everything you see in the show is real. We never really go into a situation knowing what’s gonna’ happen. We go, and, say, call up Method Man and tell him we need a meeting. And then we go meet him, and he doesn’t know what we’re gonna’ talk about…I don’t know how to describe it other than it is real. I bring it all in. People will be asking what’s real and what isn’t…I think once we get out an episode or two, people will realize it’s not a fake thing… . Basically, me and Stu are trying to become the next Nick and Jessica – but without the ending.

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007

Apr 1, 2006

Andy Samberg

BY JUSTINE GOODMAN
PHOTOGRAPHY BY SETH KUSHNER
LIVE FROM NEW YORK
Ever since Jimmy Fallon and Will Ferrell bade farewell to Saturday Night Live, the weekly sketch comedy show has been driven by veteran cast members like Darrell Hammond, Tina Fey, Chris Parnell and Amy Poehler. But with the remarkable success of the SNL Digital Short “Lazy Sunday,” which aired last December, a rookie cast member has been catapulted into the spotlight: Andy Samberg, 27.

Unless you’ve been in a coma for the last few months, you’ve probably seen the two-and-a-half minute rap video, which follows Samberg and Chris Parnell as they quench their “snack-attacks” with pink frosted cupcakes from New York’s famed Magnolia Bakery, load a backpack with Mr. Pibb and Red Vines purchased with less-than-crisp $10 bills at the local deli, and cab it to the Upper West Side to catch an afternoon showing of The Chronicles of Narnia.

Samberg arrived at SNL last fall with his two best friends, Jorma Taccone and Akiva Schaffer, who both now write for the show. (The three wrote “Lazy Sunday” together with Parnell.) Talking to Samberg, it seems clear that as far as his comedy is concerned, he doesn’t think of himself apart from his partners in crime – almost as if they were conjoined triplets. The “Dudes,” who grew up together in their hometown of Berkley, CA, are collectively known as the Lonely Island, a title initially bestowed on the apartment they shared after graduating from college and moving to L.A. in 2001. Putting their degrees in film and theater to good use, the Dudes soon began to write, direct and star in their own short films, which they posted to their website, www.thelonelyisland.com.

In addition to longer episodes like "White Power" (an 18-minute film about three otherwise good kids, struggling to overcome an addiction to White Power-brand teeth-whitener), music videos in the vein of “Lazy Sunday” have long been part of their repertoire. Under the name Incredibad, the Lonely Island has produced a number of songs, most notably “Just 2 Guyz,” “Ka-Blamo!” and “Stork Patrol.” Like the rest of the Dudes’ work, the videos are funny, but the quality of the music itself (from the beats to the lyrics) is also impressive; they’ve even been compared to the Beastie Boys. “‘Ka-Blamo!’ you could say, has a lot of Beastie Boys influence, like we’re even sorta’ aping them at some point. But like in ‘Stork Patrol,’ we’re all doing our best Ghostface,” Samberg says.

The Lonely Islanders seem like the kind of dudes who got stoned and then actually made movies instead of just watching them like the rest of us. Of their pre-SNL work, perhaps they are best known for The ‘Bu, a series that originally aired on the L.A.-based website, Channel 101. A parody of TV dramas like Fox’s The O.C., the Lonely Island website explains the series’ title: “Young, sexy people that live in Malibu call it the ‘Bu, because when you say the entire word, it takes time, and then you wouldn’t be young anymore.”

The eighth and final episode of The ‘Bu coincided with plans for a pilot called Awesometown; although the show was not picked up, Samberg and his boys were well on their way to establishing themselves in the comedy world. But a good reputation doesn’t always pay the rent, so when the Dudes were broke, Samberg did what any other L.A. comedian would do: he went on commercial auditions. In the spring of 2004, he landed a part in a Japanese commercial for Honda. “It was fuckin’ awesome. It was so sweet – they flew me and like five other Americans out to Tokyo, business class. We just kicked it in Japan in a five-star hotel for a week, and shot this commercial and went out and got wasted and did karaoke,” he says, adding, “Just for the record, I do not like karaoke. But I did enjoy it in Japan.”

How did Andy Samberg make it from the Lonely Island to the island of Manhattan and Saturday Night Live? Speaking, as he usually does, of himself, Schaffer and Taccone, in the plural, Samberg says, “We first got introduced to the SNL world, so to speak, when we were writing on the MTV Movie Awards. We did it two years in a row, and this past year Jimmy Fallon was the host, so we worked pretty closely with him. I guess he suggested [that SNL producers] check us out.” After watching the material on the Lonely Island website, SNL producers asked Andy to audition and ultimately invited him to join the cast, while Jorma and Akiva were offered writing gigs.

Given that his background is unlike that of most Saturday Night Live cast members, who performed in sketch and improv groups like Second City before joining the show, has the transition to live TV been difficult for Samberg? He did a lot of stand-up comedy prior to SNL, which he says prepared him for the experience of performing in front of a live audience, though it did take some time to get comfortable with things like blocking and playing to the camera. “In terms of transitioning the comedy, I feel like definitely those people [the other cast members] have done a lot more live sketch, but we’ve done a lot of sort of controlled comedy of our own, and obviously it plays more when we do stuff that’s sort of pre-shot, ‘cause that’s what we’re used to…and the success that ‘Lazy Sunday’ had is a testament to the fact that that’s what we’re the most experienced with.”

To call it a success is an understatement. A slew of bloggers immediately rushed to update their Live Journal and My Space entries, calling Andy SNL’s new savior and posting links to “Lazy Sunday.” The short has since been downloaded millions of times, spawning a new generation of catch phrases (e.g., “It’s all about the Hamiltons, baby”). Although “Lazy Sunday” has been subject to a barrage of press, Samberg maintains that his life is more or less the same as it was before – except that now, he is recognized almost every time he leaves the West Village apartment he shares with Schaffer. When he arrives at trendy Union Square eatery, Coffee Shop, for the photo shoot, he is wearing a new black jacket, which he bought to replace the fur-hooded parka he wore in the video; he’s identified more frequently in the parka, and doesn’t want people to think he’s wearing it because he is seeking the attention.

But while most people under the age of 30 might recognize Andy Samberg – as the awesome, shaggy- haired dude who made that rap video with a clever hook that combined the name of a children’s movie with allusions to getting blunted – apparently it is much more difficult for them to remember his name. A New York Times copy editor is probably seeking employment elsewhere after the paper misidentified him as “Adam Samberg” on the front page of its Arts Section. Andy says he was not surprised by the error. “I’ve been getting that in standup since I started. Everyone calls me either ‘Adam Samberg’ or ‘Andy Sandler.’”

He jokes about making it big so that no one will get his name wrong again, but Samberg seems not to be distracted by fame or fortune, and he’s not rushing to prove that he’s a major league baller. Us Weekly recently crowned him, “The Next Jimmy Fallon,” and while he’s flattered by such comparisons, Samberg doesn’t see himself as being the Next Big Anyone, per se. “I kinda’ just wanna’ do my own thing, and hopefully someday have someone else who does their own thing be called, ‘The Next Andy Samberg.’” Somehow, the remarkable popularity of “Lazy Sunday” – and the subsequent rush of publicity he has experienced in its wake – doesn’t seem to have fazed him, though he hopes it won’t prove to be a one-hit wonder. But the video is not unlike a lot of the work in the Lonely Island portfolio; “It just happened to be on Saturday Night Live now. So I think if we just kinda’ keep trying to make each other laugh, we should be fine; that’s always been the rule,” he says, referring to Schaffer and Taccone. (In fact, as we go to press, “Young Chuck Norris,” another SNL digital short starring Samberg, is already making its rounds on the internet.)

From the moment he arrives at the Coffee Shop shoot (cradling a rather large ceramic cow as if there’s nothing at all unusual about that), his playful charm is like an energy that endears him to everyone in the room. A self-described “fuck-around dude,” Samberg seems like someone you might know; like someone you went to school with, or wish you had. “All I’ve ever really wanted is to do comedy, and it’s exciting to have any success with it,” he says.

So set your TiVo for Saturday nights at 11:30 EST on NBC, because Live From New York, It’s Andy Samberg.

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007