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Showing posts with label SNL. Show all posts
Showing posts with label SNL. Show all posts

Apr 24, 2008

Tribeca Film Festival: Cast of "Baby Mama" Celebrates at the MoMA

Moma_party
(Photo by Peter Bixler)

The Tribeca Film Festival is off to a strong start, with the stars turning out for last night's world premiere of "Baby Mama" at the Ziegfeld. We were in attendance at the official after-party, held at the Museum of Modern Art, which could have been mistaken for a "Saturday Night Live" reunion. In addition to Lorne Michaels and "Baby Mama" stars Amy Poehler and Tina Fey, guests at the MoMa included a long list of present and former cast-members, like Jimmy Fallon (who eventually left the party with former "SNL" player Chris Kattan), Rachel Dratch, Jason Sudeikis, Fred Armisen, Molly Shannon and even Chevy Chase. But the superstar of the evening was Steve Martin, who sauntered in wearing a panama hat, spent most of his time at a table with Lorne and Chevy and later departed without obliging the fans who were waiting outside for an autograph. (That said, Martin's role in "Baby Mama" is much funnier than the rest of the movie.)

Other big name guests included Poehler's hilarious husband, Will Arnett, Seth Green (of "Family Guy" / "Austin Powers" / "Robot Chicken" fame), and Dax Shepard (whom I profiled in an interview piece last year), who doted on girlfriend Kristen Bell, star of "Forgetting Sarah Marshall," most of the night.

Several sad people outside were hoping to catch a glimpse of Robert De Niro, who wasn't even there. One such fan informed me he was also there to see Frank Oz (better known as the voice of Yoda), who was my next-door neighbor on the Upper West Side for many years, and who I didn't see at the MoMa. Just as I was breaking the news that the Oz / De Niro gala must have been on the other side of town, Lorne Michaels walked outside. One eager fan yelled, "Lorne, can I get a picture?" to which Lorne responded, "I'm good, thanks," and jumped in a car.

A 30-second clip from inside the party, taken on my date's cell-phone from the future, is below.

Jan 8, 2008

Saturday Night Live Writers, Performers, and Andy Samberg Groupies Turn Out to Support Writers Guild

Janeane_garofolo_at_comix


Surprise guest
Janeane Garofalo opened for "SNL" vet Darrell Hammond, below, on Monday night at Comix

Daryl_hammond_at_comix

It was a full house Monday evening at Comix where assorted "Saturday Night Live" writers and players both past and present participated in a comedy event to benefit the striking Writers Guild of America, East. In keeping with the trend of wearing your support for the writers on your face, "strike beards" were in full effect, and the overall mood seemed to indicate that no one expects to return to work anytime soon.

Hosted by Jason Sudeikis (who joined the cast of "SNL" in 2005 after spending several years in the writers' room, and who also played Floyd on the first season of "30 Rock"), the original lineup boasted appearances by Andy Samberg and Fred Armisen, though in the end, neither of them were able to do so, for reasons unknown. But everything was still kosher thanks to those who did perform, including "SNL" writers Bryan Tucker ("Chappelle's Show"), 25-year-old Harvard success story (it's about time!) Colin Jost, and former staff writer Leo Allen (one half of the comedy duo Slovin & Allen). Several video clips were shown, most notably an hilarious commercial parody starring Kristin Wiig and a digital short starring Armisen and Samberg, directed by the latter's Lonely Island cohort/ "SNL" writer Akiva Schaffer, who was also in the audience at Comix but dipped out halfway through the show.

Although at least one unfortunate heckler made it known that she had only come to see unlikely dreamboat du jour Andy Samberg--whose rise to fame began two years ago with a video about cupcakes and was sustained by a video about his junk--his failure to show up was well-compensated with a special guest set by Janeane Garofalo. As always, her best material was political, and though she generally laid-off the Democratic candidates, she was more than happy to riff on their Republicans counterparts, making light of the fact that three of them "actually believe the jury's still out on evolution." Which is funny--and at the same time not so funny--'cause it's true.

But the real highlight of the evening?

Headliner Darrell Hammond, who announced right off the bat that he was jacked up on Vicodin, although it was unclear whether or not he was kidding, and his behavior throughout the rest of his set made it no clearer. After commenting that he'd just come from Penn Station ("For those of you from out of town, that's the place that inspired all of Stephen King's novels"), the 13-year veteran of "SNL" went on to perform virtually every impression for which he is most famous: Donald Trump, Tony Soprano, Bill Clinton, Sean Connery, Dr. Phil and a dead-on
George W. Bush. (Though, for the record, Sudeikis plays the president in current "SNL" sketches. Or at least he did, when there were current sketches.)

Hammond's musings on the Clintons--particularly his point that if Hilary wins the election, Bill's job will literally be to socialize with and entertain the first ladies of other nations ("Hey there Mrs. Putin, this here is the Lincoln Bedroom. And this is the Lincoln bed")--were a hit, as were his observations about President Bush ("He starts out with the intention of making a point, and then mid-sentence, he decides he simply doesn't feel like it: 'The American people are tirelessly [pause]... They're tireless'").

If you don't consider the cancellation of the Golden Globes to be any great casualty, then you may think that because there is new programming on TV this week, the strike doesn't impact you. But the networks are down to the sitcom reserve supply, and when the scripts run out several weeks down the line, there's going to be no new content on prime-time television until the strike is resolved (unless you count "Celebrity Apprentice," which I refuse to do). And while the networks are making a ton of money off the exploitation of their writers and the strike itself, the people who really make the magic happen are starving to death. Fine,
that last part may not be true, but it totally might be if this doesn't end soon.

So here's my plea: Stop watching episodes of "30 Rock" online, grow a beard, join the picketers, or do whatever else you can to help ensure that the networks start feeling the pain of this strike the way the writers are. If not for them, do it for me-- because with the exception of booze, television is the closest thing I have to a boyfriend.

Dec 18, 2007

Human Giant Saves MTV: Suck On This, Spencer Pratt

Human_giant
Above: Rob Huebel, Paul Scheer and Aziz Ansari are Human Giant

Ordinarily, the chances of me going out on a Monday night are nil, especially in this brick-ass cold. But with my television withdrawal giving me an increasingly nasty case of the shakes, I took the opportunity to check out last night's sneak preview of the new season of "Human Giant"--the best thing to happen to MTV's comedy programming (or rather, MTV period) since "The State"-- hosted by the Human Giants themselves.

As any proper night should, this one began with drinks. Various members of the press (editors and writers from Maxim, the NY Post, the Village Voice, ASCAP, Giant, and other publications) assembled beforehand at West Chelsea haunt Half King, along with the show's stars, Rob Huebel, Paul Scheer and Aziz Ansari, before making the troupe to the UCB Theater.

It may have been after 11pm on a weeknight, but you wouldn't have known it from the size of the crowd, which was spilling out into the aisles. Granted, the show was free, but it was clear that these people would probably have paid to see it. And for good reason--the raw and uncut clips screened last night were so outrageous, explicit and unbelievably hilarious, it's difficult to imagine that the Standards Department at MTV would even entertain the possibility of airing them, even after heavy editing. (Case in point: A sketch called "Car Accident," which tells the tale of Bruce Penis (Huebel), a deceased gay porn star whose ghost haunts his supposed killer (Ansari) by violating him physically in order to open his, uh, eyes to the truth.)

Afterwards, those of us who aren't a bunch of lightweights and whiners--winos, perhaps, but not whiners--returned to Half King for more drinks with Rob, Paul and Aziz and friends that included several Saturday Night Live writers and performer Bill Hader.

I had the chance to spend some time chatting with Rob (who has frequently appeared on "Best Week Ever" and played the memorable Dr. Mark character in several episodes of "Curb Your Enthusiasm"), and he told me that filming for season two is going well, but admits that it can be quite a lot of work writing and developing consistently funny material that can carry through several hours of sketches (a full season of "Human Giant").

If the material that aired on the first season of the show--which got the green light for season two after MTV execs let the guys take over control of the airwaves for 24-straight hours of programming, broadcast live from the network's Times Square studios--and what we saw last night is any indication, then their hard work is well worth it. Nothing is off-limits (including, but not limited to, 9/11, which they famously parodied last season in a number of episodic sketches entitled "Lil' 9/11").

Though the beer wasn't free (it never is, sadly), getting to see the show was certainly worth every bit of pain I experienced this morning, when my alarm clock began taunting me to rise at the ungodly hour of 9:30am. But more importantly, it's reassuring to know that in March '08, "Human Giant" will be back on the air, giving people like me--who would sooner slit our wrists than watch 30 minutes (let alone a 12-hour programming block) of shows about Heidi Montag, her deadbeat boyfriend Spencer Pratt, and the trials and tribulations of their beef with Lauren Conrad--a reason to watch MTV.

Apr 1, 2006

Andy Samberg

BY JUSTINE GOODMAN
PHOTOGRAPHY BY SETH KUSHNER
LIVE FROM NEW YORK
Ever since Jimmy Fallon and Will Ferrell bade farewell to Saturday Night Live, the weekly sketch comedy show has been driven by veteran cast members like Darrell Hammond, Tina Fey, Chris Parnell and Amy Poehler. But with the remarkable success of the SNL Digital Short “Lazy Sunday,” which aired last December, a rookie cast member has been catapulted into the spotlight: Andy Samberg, 27.

Unless you’ve been in a coma for the last few months, you’ve probably seen the two-and-a-half minute rap video, which follows Samberg and Chris Parnell as they quench their “snack-attacks” with pink frosted cupcakes from New York’s famed Magnolia Bakery, load a backpack with Mr. Pibb and Red Vines purchased with less-than-crisp $10 bills at the local deli, and cab it to the Upper West Side to catch an afternoon showing of The Chronicles of Narnia.

Samberg arrived at SNL last fall with his two best friends, Jorma Taccone and Akiva Schaffer, who both now write for the show. (The three wrote “Lazy Sunday” together with Parnell.) Talking to Samberg, it seems clear that as far as his comedy is concerned, he doesn’t think of himself apart from his partners in crime – almost as if they were conjoined triplets. The “Dudes,” who grew up together in their hometown of Berkley, CA, are collectively known as the Lonely Island, a title initially bestowed on the apartment they shared after graduating from college and moving to L.A. in 2001. Putting their degrees in film and theater to good use, the Dudes soon began to write, direct and star in their own short films, which they posted to their website, www.thelonelyisland.com.

In addition to longer episodes like "White Power" (an 18-minute film about three otherwise good kids, struggling to overcome an addiction to White Power-brand teeth-whitener), music videos in the vein of “Lazy Sunday” have long been part of their repertoire. Under the name Incredibad, the Lonely Island has produced a number of songs, most notably “Just 2 Guyz,” “Ka-Blamo!” and “Stork Patrol.” Like the rest of the Dudes’ work, the videos are funny, but the quality of the music itself (from the beats to the lyrics) is also impressive; they’ve even been compared to the Beastie Boys. “‘Ka-Blamo!’ you could say, has a lot of Beastie Boys influence, like we’re even sorta’ aping them at some point. But like in ‘Stork Patrol,’ we’re all doing our best Ghostface,” Samberg says.

The Lonely Islanders seem like the kind of dudes who got stoned and then actually made movies instead of just watching them like the rest of us. Of their pre-SNL work, perhaps they are best known for The ‘Bu, a series that originally aired on the L.A.-based website, Channel 101. A parody of TV dramas like Fox’s The O.C., the Lonely Island website explains the series’ title: “Young, sexy people that live in Malibu call it the ‘Bu, because when you say the entire word, it takes time, and then you wouldn’t be young anymore.”

The eighth and final episode of The ‘Bu coincided with plans for a pilot called Awesometown; although the show was not picked up, Samberg and his boys were well on their way to establishing themselves in the comedy world. But a good reputation doesn’t always pay the rent, so when the Dudes were broke, Samberg did what any other L.A. comedian would do: he went on commercial auditions. In the spring of 2004, he landed a part in a Japanese commercial for Honda. “It was fuckin’ awesome. It was so sweet – they flew me and like five other Americans out to Tokyo, business class. We just kicked it in Japan in a five-star hotel for a week, and shot this commercial and went out and got wasted and did karaoke,” he says, adding, “Just for the record, I do not like karaoke. But I did enjoy it in Japan.”

How did Andy Samberg make it from the Lonely Island to the island of Manhattan and Saturday Night Live? Speaking, as he usually does, of himself, Schaffer and Taccone, in the plural, Samberg says, “We first got introduced to the SNL world, so to speak, when we were writing on the MTV Movie Awards. We did it two years in a row, and this past year Jimmy Fallon was the host, so we worked pretty closely with him. I guess he suggested [that SNL producers] check us out.” After watching the material on the Lonely Island website, SNL producers asked Andy to audition and ultimately invited him to join the cast, while Jorma and Akiva were offered writing gigs.

Given that his background is unlike that of most Saturday Night Live cast members, who performed in sketch and improv groups like Second City before joining the show, has the transition to live TV been difficult for Samberg? He did a lot of stand-up comedy prior to SNL, which he says prepared him for the experience of performing in front of a live audience, though it did take some time to get comfortable with things like blocking and playing to the camera. “In terms of transitioning the comedy, I feel like definitely those people [the other cast members] have done a lot more live sketch, but we’ve done a lot of sort of controlled comedy of our own, and obviously it plays more when we do stuff that’s sort of pre-shot, ‘cause that’s what we’re used to…and the success that ‘Lazy Sunday’ had is a testament to the fact that that’s what we’re the most experienced with.”

To call it a success is an understatement. A slew of bloggers immediately rushed to update their Live Journal and My Space entries, calling Andy SNL’s new savior and posting links to “Lazy Sunday.” The short has since been downloaded millions of times, spawning a new generation of catch phrases (e.g., “It’s all about the Hamiltons, baby”). Although “Lazy Sunday” has been subject to a barrage of press, Samberg maintains that his life is more or less the same as it was before – except that now, he is recognized almost every time he leaves the West Village apartment he shares with Schaffer. When he arrives at trendy Union Square eatery, Coffee Shop, for the photo shoot, he is wearing a new black jacket, which he bought to replace the fur-hooded parka he wore in the video; he’s identified more frequently in the parka, and doesn’t want people to think he’s wearing it because he is seeking the attention.

But while most people under the age of 30 might recognize Andy Samberg – as the awesome, shaggy- haired dude who made that rap video with a clever hook that combined the name of a children’s movie with allusions to getting blunted – apparently it is much more difficult for them to remember his name. A New York Times copy editor is probably seeking employment elsewhere after the paper misidentified him as “Adam Samberg” on the front page of its Arts Section. Andy says he was not surprised by the error. “I’ve been getting that in standup since I started. Everyone calls me either ‘Adam Samberg’ or ‘Andy Sandler.’”

He jokes about making it big so that no one will get his name wrong again, but Samberg seems not to be distracted by fame or fortune, and he’s not rushing to prove that he’s a major league baller. Us Weekly recently crowned him, “The Next Jimmy Fallon,” and while he’s flattered by such comparisons, Samberg doesn’t see himself as being the Next Big Anyone, per se. “I kinda’ just wanna’ do my own thing, and hopefully someday have someone else who does their own thing be called, ‘The Next Andy Samberg.’” Somehow, the remarkable popularity of “Lazy Sunday” – and the subsequent rush of publicity he has experienced in its wake – doesn’t seem to have fazed him, though he hopes it won’t prove to be a one-hit wonder. But the video is not unlike a lot of the work in the Lonely Island portfolio; “It just happened to be on Saturday Night Live now. So I think if we just kinda’ keep trying to make each other laugh, we should be fine; that’s always been the rule,” he says, referring to Schaffer and Taccone. (In fact, as we go to press, “Young Chuck Norris,” another SNL digital short starring Samberg, is already making its rounds on the internet.)

From the moment he arrives at the Coffee Shop shoot (cradling a rather large ceramic cow as if there’s nothing at all unusual about that), his playful charm is like an energy that endears him to everyone in the room. A self-described “fuck-around dude,” Samberg seems like someone you might know; like someone you went to school with, or wish you had. “All I’ve ever really wanted is to do comedy, and it’s exciting to have any success with it,” he says.

So set your TiVo for Saturday nights at 11:30 EST on NBC, because Live From New York, It’s Andy Samberg.

ORIGINALLY PUBLISHED IN YRB MAGAZINE COPYRIGHT © 2007